QPDA Finalist Play Readings
Anna's entry, Comfort:
Comfort: a state of physical ease and freedom from pain or constraint. Sitting between British-Indian colonial rule and Japanese occupation, Burma is a country torn apart by war. It has been cut open, segmented, dissected and blown apart. Battling armies open lasting wounds across the land, leaving scars not only on the earth, but also on the bodies of the women they seek to colonise. Comfort is a semi-autobiographical work responding to the whispers that my own grandmother may have been a ‘Comfort Woman’ in 1940s Japan-Occupied Burma. In blaring juxtaposition, my memories of her exist in a 1980s Australian childhood. Afternoons spent in a suburban Perth backyard, playing around the hills hoist; holidays sweating in a musty, sand-filled caravan; Expo ’88. But just below the surface, one ever-present unspoken rule journeyed with us; we don’t talk about the past. Moving between past and present, personal and political, Grandaughter wades through official military records, rumour and euphemism as she gently unpicks the threads in search of her Grandmother’s truth.
Maddie's entry, Binnavale:
Once a bustling hub in the orange desert of central Queensland, Binnavale is entirely isolated and solely occupied by one family, the Mullers. Mum, Dad, Levi and Sam, run the town’s crown jewel and only remaining business, The Bin Hotel. Business at The Bin isn’t exactly booming, but it’s going well enough, and the Mullers honestly believe that that they are the gate keepers of the greatest place on Earth. That is until the young hotshot Federal MP Mr Brett Pryce, proposes the Postcode Hybridisation Scheme, a bill which if passed will conjoin a series of small population postcodes in remote and regional Australia. If the Mullers lose their postcode, they lose their smallest town status, and they lose their business. If the family don’t have tourists passing through, The Bin Hotel will be shut down, and they will have to abandon the only place they’ve ever called home. Binnavale is a comedy about family, grief and growing up.
Steve's entry, Return to the Dirt:
In 2014, Steve Pirie returned to his hometown in regional Queensland with no job, money or goals. After a series of dead ends, he finally found work in a local funeral home, where he spent the next year living and working among the dead, the dying and the families left behind. Join Steve, your tour guide, as he takes you through the realms of the dead and behind the closed doors of the Australian funeral industry in this powerful meditation on what it means to die in the 21st century, to lose the ones we love, what a twenty-something learned about what awaits us at the end, and what a final act of love can do for our healing.
Return to the Dirt is a celebration of finding your place in the world, the power of personal redemption and humility at the end of all things. Most importantly, it is a stepping stone to one of the most important conversations you need to have.